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At the opposite end of traditional form is through-composition — essentially a style of composition that doesn’t repeat sections of music, lyrics, and might not even repeat melodic themes. It could be argued that the lyrics of “All My Friends” is through-composed.

One thing you might have noticed is that we haven’t seen a ton of instrumental music so far. As previously stated, it’s not always as easy to identify a verse and chorus in instrumental music, so thinking in terms of Section A and B can be more useful. But given that, there’s really no limit on what sort of structures you might see:

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If you’re often writing or producing music alone, it can be really easy to lose perspective. Having a sounding board who is more experienced than you in a specific area can help you develop confidence in your artistic choices and build momentum for your musical journey. This is an essential part of your relationship with Soundfly and with your mentor — having someone in your corner who can help you develop the confidence to push yourself further than you thought you could go.

Martin is a composer, producer, and bassist with his hands in a huge variety of musical projects. He’s produced music for acclaimed podcasts such as This American Life, Limetown, and The Spark, and written for various artists and production houses. He’s recorded and performed all over the world with acts such as VÉRITÉ, the PLS.trio, Arthur Moon, Emel Mathlouthi, and other NYC-based artists, and produces original electro and house music and remixes as MDFX, and trap/jungle/bass music and remixes as WNNR. He’s also written lots of the music featured in Soundfly videos!