The important thing to consider here, is that you are not your voice. There are certain assumptions about the human voice that vocalists need to disarm in order to become more comfortable singing in front of an audience. You might not always notice it, but in social and political conversations, “voice” is often associated with what is extremely “personal,” for example:

All these elements contribute to how engaging your podcast will be. In addition to these technical components, people like consistency when it comes to podcasts. The vast majority of listeners consume podcasts on their commute to work and likely have a routine and structure to their day. While spontaneity is great, consumers also want to know what they are expecting with each episode and how it might unfold. Write down several structures for your podcast and do research on other podcasts as to what you like and don’t like about them. Make it your own, but have a clear goal where you want to go with your content.

His yodeling obsession was accompanied by a love of obscure stringed instruments like the zither and hammered dulcimer, both of which he taught himself as a child. In his teens, Ischi taught himself to yodel by listening to Franzl Lang records and imitating what he heard. In case you aren’t familiar, Lang is one of yodeling’s most revered figures and is widely known as the “Yodel King.”

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While effects can certainly be used in serial, you’ll have more control over the sound by creating aux channels for each individual effect. This way, you can slowly bring up the effects until they sit just behind the vocal. Just be careful — you don’t want the effect to overpower the vocal. Try turning the effects up so you can just barely hear them behind the original vocal — so that if you were to mute the effects, you would just barely notice something is missing.

In his book The Meaning of Human Existence, Pulitzer Prize-winning biologist Edward O. Wilson argues that “healthy people believe intuitively that they can hear every almost every sound. However… we walk through nature like a deaf person on the streets of New York, sensing only a few vibrations, able to interpret almost nothing.” So I hope your cat or dog is a music fan, because they are far more likely to appreciate the crisp top-end preserved in your favorite lossless audio format than you are.

If you sample someone else’s music, make sure you’ve covered all your bases too. Reach out to the original songwriter to discuss splits and obtain a mechanical license to use their sample in your music, and then register and administer the percentage that you both agree upon. Don’t find yourself in a sticky situation — do your homework and know how to properly go about using samples.

And in 2017, Ischi paired up with YouTube sensations, the Gregory Brothers (of “Auto-Tune the News” and “Bed Intruder” fame), to produce “Chicken Attack.” Ischi stars as a Samurai-inspired, chicken-summoning warrior clad in lederhosen who harnesses “the power of nature” to fight crimes with the power of the “chicken attack.” It’s really worth the four minutes of your time:

John Belushi struck up a relationship with Fear after becoming a quick fan seeing them on another TV show and commissioned them to write a song for the movie Neighbors. The band, however, wrote the song for Belushi himself to sing, which he recorded reluctantly. The movie’s producers refused to use it, but Belushi still wanted to do right by Fear, so he booked them on Saturday Night Live as the musical guest for the Halloween Special in 1981.

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Songtrust does offer pipeline advances, on a case-by-case basis. If you’d like to request a royalty advance consultation, submit a request here. Note this is not a publishing advance, but instead an advance on royalties in your account. Click here to register for Songtrust, and use promo code STSoundfly for 10% off!

Nicholas Rubright is the founder and editor at Dozmia and the lead guitarist for the band Days Gone By. He has a passion for playing the guitar, writing new songs, and creating awesome blog posts like this one.

Some guitarists want to hear minimal pick attack in their recordings, while others (myself included) want a lot — especially on guitar solos. Pick attack presence is a combination of pickup selection, pick type, picking location, the angle of the pick, and your amp settings.

Djembe players use three basic sounds to get an array of different rhythms and feels — bass, tone, and slap, which have low, medium, and high pitches respectively. You get the different sounds by hitting the drum in different places and with different parts of your hands. Here’s our quick rundown to get you started.

It’s because of these trap doors (motivation, time management, confidence, workflow optimization, proper space and acoustic considerations, gear availabilities, etc.) that musicians with big ideas and significant dreams often fall short of reaching their true home recording potential. So we decided to make next week, June 17-22, 2019, all about that — next week is Home Recording Week on Soundfly.