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So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.

Next is an excellent arrangement of the New Order classic “Blue Monday” by Japanese chiptune superstar Hally (it starts at 3:09 in the video). And if you’re into New Order chiptune covers, be sure to check out my own version of “Bizarre Love Triangle.”

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Personally, I’ll be going with C major, because of two small details. First, the song ends on a C chord, which gives us a clue as to how the writer hears the song. Next, Halsey is singing “blue notes” from the C blues scale, which is something you can trust. But because the melody notes and loop notes make an A minor chord in first inversion, you could also hear that as an Am chord, and so an A minor tonality.

A simple tip for making more engaging tracks is to add or subtract an element every four to eight bars or so. Here are a few variation approaches to try: